About Artist: German painter. In 1963 Polke launched Capitalist Realism in response to Pop art, exhibiting the first works in this genre in Düsseldorf. Polke took as his motifs such ordinary food items as chocolate, sausages or biscuits, isolating them and apparently depriving them of their tactility in order to elevate them to the status of aesthetic signs. Such Pop-related images, pictured in various combinations and in a number of techniques, became from this time standard elements of Polke's work. The scattered dots in more complex works form a virtually abstract pattern that makes the imagery almost invisible when viewed from near the surface. Graphic alterations help to increase this sense of unfamiliarity, blurring the boundary between the objective reproduction of reality and the subjective production of art.
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