Size: 16 X 12 INCHES
Frame: Framed with PlexiGlass
Signature: Hand Signed
Edition: Edition of 100
About Artist: American painter and printmaker. In his career he was an innovator, rather than responding to the innovations of others, and he often confounded his peers. He suggested that his painting was significantly shaped by the fact that he was among the first generation of artists for whom the rightful existence of abstraction was assumed, and he steadfastly maintained that it was the only post-war idiom capable of sustaining the highest ambitions for painting.
In 1950 Stella entered the Phillips Academy, Andover, MA, where he studied art history and painting; it was here that he realized that he had no interest in representational painting. Stella continued his studies in history at Princeton University (BA, 1958). At this time he was painting loose, gestural abstractions in the tradition of the New York School. He was already highly regarded by his professors, yet he did not seriously entertain the idea of a career in the arts. He kept in touch with developments in New York and in 1958 he saw Jasper Johns’s first one-man exhibition.
About Gallery: Leslie J. Sacks established his first gallery, Les Art International in Johannesburg, South Africa, in 1981. Upon emigrating to t...
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